Oli has been fortunate enough to take part in many exciting projects and collaborations. Most recently he has written a piece for the City of Birmingham Symphony Orchestra and for the Birmingham Contemporary Music Group (BCMG). Last year he also curated a charity concert featuring his own orchestral piece performed by Birmingham Conservatoire students.
During his studies he also worked with Ed Bennett's Decibel ensemble and wrote music for the Flatpack Film Festival and Birmingham Thinktank Planetarium. In 2019, his composition Ascent was chosen by Flybmi airline as their boarding music.
In 2022 his piece was chosen as the winning composition in the West Midlands Platinum Jubilee Music Competition, as a result of this he worked with Master of the Queen's Music Judith Weir and the Birmingham Symphony Orchestra.
Lighting Our Way the Gracious Throne (for SATB choir and orchestra, 2022) - recording
Saint Martha and The Dragon (for orchestra, 2022) - recording
Borealis (for string orchestra, 2022) - recording
Spaceports End Credits (for orchestra and the Birmingham Planetarium, 2020) - recording
Ascent (for orchestra, 2019) - recording
No Breaks but Loops (for BCMG, 2022)
Pretty Ugly (for violin, recorder, clarinet, alto saxophone, trombone, piano, drum set, electric guitar and bass guitar/double bass, 2020) - recording
Peripatetic (for string quartet and two clarinets, 2022) - recording
Point-Counter (for violin and cello, 2022) - recording
Sculptures (for three recorders and chamber organ, 2021)
Waltz for Debby (for bass clarinet, viola and double bass, 2021) - recording
Liber Abaci (for piano, clarinet and viola, 2019) - recording
Death is A Dialogue Between (for piano and cello, 2019) - recording
Les Astronautes (for the Flatpack Film Festival)
A Bona-Fide Legend (Android mobile game)
Space Ports (for a 10 minute show at the Birmingham Thinktank Planetarium)